NO75 Unified Estonia was a fictious political movement created by Theatre NO99 that a large portion of the public treated as a real political force. It lasted 44 days, during which various political technologies were introduced. The project ended with Unified Estonia movement assembly, with more than 7500 people attending. It was one of the largest theatre events in contemporary Europe.

Estonia tells the story of the tragic accident of the car-ferry MS Estonia, which deeply shocked the world in the autumn of 1994. Through the moving personal stories of victims, survivors, loved ones and investigators, the eight-part series explores how it is possible that 852 people lost their lives and no one is held accountable.

Estonia.

This film is Álex Montoya's first feature film: an interesting adaptation of the play La gente by Juli Disla and Jaume Pérez, also screenwriters of the film. The emergence of assembly groups after the political movements after 2011 served their authors to cast a comic look at decision-making processes and the capacity for dialogue of the human being.

Australia's most renowned interviewer, Leigh Sales, mentors Autistic journalism students as they learn their craft and interview well known Australian personalities.

Patty McCormack's "Mommy" is psychotically obsessed with her 12-year-old daughter Jessica Ann -- so much so that when she finds out Jessica didn't get the "Student of the Year" award again, she solves the problem by murdering the teacher who didn't recommend her for it. She dismisses the killing as inconsequential ("a minor accident"), but the homicide detective assigned to the case suspects her immediately, and an insurance investigator who also suspects her tries to get close to Jessica Ann to find out what really happened.

To gain acquittal in a falsely implicated murder case, Shivaji fights elections and wins. He discovers the criminal links that extend from village to the minister and vows to fight for the needy.

In Asamblea general (1960), the documentary about Fidel's address of the First Declaration of Havana in the Plaza of the Revolution, Alea practises what becomes a sustaining Cuban contribution to documentary. Engaging with Free Cinema and cinema-vérité, his camera seems to touch the faces of the new citizen one by one rather than as a single mass before a leader.

Nothing is off limits as a group of autistic, neurodivergent and/or learning disabled interviewers ask the questions.

Critical Assembly is based on two college students who build a nuclear device, which is stolen by a fellow student. When it ends up in the hands of a terrorist, they work with an FBI agent in a race against time.